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Sex, breasts, politics and psychoanalysis

marți, 2 iulie 2013


Miyashita’s sculpture with collage.

BEIRUT: The centerpiece of Emi Miyashita’s first solo show at the Running Horse Contemporary Art Center in Karantina is an installation of nearly two dozen tiny drawings tucked into dainty, antique-looking frames. Clustered together and hung haphazardly on the wall, they look like a life’s worth of family photographs crowded into the narrow hallways and tchotchke-stuffed salons of an elderly grandmother’s apartment.

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